8442 Burlwood Drive, Chanhassen
Listing courtesy of Coldwell Banker Realty - Southwest Regional.
(952) 473-1000
Real Estate Company
Prince is inseparable from Minneapolis.
He was born there in 1958 and first lived at 2201 5th Avenue South before his family moved to North Minneapolis. From ages six to twelve, he lived at 2620 8th Avenue North — the house where he developed his piano skills and began writing songs. Minneapolis shaped the discipline behind the music. Over time, his addresses begin to move west.
After signing with Warner Bros. Records in 1977, Prince shared an apartment at 2012 Aldrich Avenue South. Following his debut album, he rented a house at 5215 France Avenue South near the Minneapolis–Edina border. Rehearsals were loud. Police visits were frequent. The arrangement was temporary.
In 1979, Prince moved to 680 North Arm Drive in Orono on Lake Minnetonka. The setting shifted from the Minneapolis street grid to a lakeshore property in the western suburbs. He was no longer living in a shared urban apartment but in a private home overlooking the water.
Prince recorded the entirety of Dirty Mind at this house. The album marked a turning point. It was the first project he recorded fully in Minnesota and represented a decisive step toward what would become recognized as the Minneapolis sound — spare, rhythm-driven, and self-contained. The work completed in Orono established his ability to produce and engineer independently, without relying on out-of-state studios.
By 1980–81, at age 22, he purchased his first home in Chanhassen at 9501 Kiowa Trail on Lake Riley. He repainted the house purple and installed a studio. Portions of 1999, Controversy, and Purple Rain were recorded there. He lived in the house until 1985. He later moved to 7141 Galpin Boulevard on Lake Ann in Chanhassen. The pattern continued: more privacy, greater control, continued proximity to Minneapolis.
In 1986, construction began on Paisley Park at 7801 Audubon Road in Chanhassen. The 55,000-square-foot complex combined recording studios, rehearsal space, offices, a soundstage, and residential quarters. Prince maintained a bedroom on the second floor and was living there at the time of his death in 2016.
While he owned and leased properties in Beverly Hills, Toronto, Spain, and Turks and Caicos, Minnesota remained the operational center. That consistency places Paisley Park within a much longer Lake Minnetonka estate tradition.
Lake Minnetonka has long attracted individuals who valued both visibility and control.

In the late 19th and early 20th centuries, industrial and milling families built summer estates along the lake’s shoreline and points. Brackett's Point became home to the Pillsbury estate known as Southways. Casco Point included the Dunwoody family’s summer residence. Along Ferndale Road in Wayzata, large private compounds developed with long drives and controlled access.
These estates shared common characteristics:
Paisley Park reflects that same pattern — adapted to a different era. Rather than a summer cottage expanded into a lakeside manor, Prince constructed a modern compound along the Highway 5 corridor. Instead of docks and boathouses, the campus contained recording studios and a soundstage. Instead of lake entertaining, the gatherings centered around music production and performance. The form changed. The function remained consistent. Lake Minnetonka and its surrounding communities have historically served as a place where influence consolidates.
Families built estates to centralize operations away from Minneapolis’ commercial core. Prince built a studio campus to centralize creative control outside the traditional music industry hubs. The geography is similar. The intent aligns. Paisley Park sits slightly inland from the main body of Lake Minnetonka, but culturally it belongs to the same western movement that shaped Orono, Minnetonka Beach, Deephaven, and Wayzata.
It represents a late-20th-century version of the estate tradition: privacy, autonomy, and permanence. In 2024, the stretch of Highway 5 passing Paisley Park was designated the Prince Rogers Nelson Memorial Highway. That roadway physically connects Minneapolis to Chanhassen — mirroring the broader migration pattern that has defined Lake Minnetonka for over a century. Prince’s overseas properties were chapters.
Paisley Park was the headquarters. Minneapolis formed him. Lake Minnetonka provided distance. Chanhassen became the long-term base. Placed within the larger estate history of the region, Paisley Park is not an outlier. It is a continuation — a modern compound in a landscape long associated with private legacy holdings.
In the story of Lake Minnetonka, few celebrity names echo quite like Prince. Born Prince Rogers Nelson, the Minneapolis native-turned-global icon carried the spirit of Minnesota with him across every stage he graced — but it was in the quiet suburb of Chanhassen where his legend deepened, and where the lake’s name would gain immortality in pop culture.
And then there’s that line. Delivered with wry detachment in the 1984 cult classic Purple Rain, Apollonia, in a bid to prove herself worthy of Prince’s mentorship, is told to “purify [herself] in the waters of Lake Minnetonka.” Obediently, she strips and jumps into the chilly lake, only for Prince to deadpan: “That ain’t Lake Minnetonka.”
The exchange lasted mere seconds, but the ripple effect has lasted for decades. Suddenly, Lake Minnetonka wasn’t just a beloved summer escape for boaters, anglers, and locals. It became a mythic destination — sensual, spiritual, a rite of passage. Tourists began asking where the scene was filmed (Spoiler: it was actually shot at nearby Lake Zumbra). But the idea of Minnetonka — its name, its mystery, its allure — was cemented in popular culture.
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